Pauline Kael (; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, Kael often defied the consensus of her contemporaries. One of the most influential American film critics of her era, she left a lasting impression on the art form. Roger Ebert argued in an obituary that Kael "had a more positive influence on the climate for film in America than any other single person over the last three decades".
https://en.wikipedia.org/wiki/Pauline_Kael
Pauline Kael (; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, Kael often defied the consensus of her contemporaries. One of the most influential American film critics of her era, she left a lasting impression on the art form. Roger Ebert argued in an obituary that Kael "had a more positive influence on the climate for film in America than any other single person over the last three decades".
